“Hi, I’m Travis Scott and I’m largely responsible for the death of 8 people and trauma of the thousands. However, those on the internet said the partnership was an opportunity for the organization to potentially sell the information of customers to third parties and target them with ads to spend money.
GENIUS DRAKE BELIEVE ME FREE
Read more: /UeM7GHiIsc- Complex November 10, 2021Īfter the fallout, the rapper partnered with an organization he said was a free service for those wanting to talk to someone about the traumatic events from that night. “When someone told Travis he immediately left the party.” Travis Scott was reportedly not aware of the fatalities at Astroworld until after he arrived at Drake’s after-party in Houston. Travis Scott was partying with Drake at Dave & Busters after the show, unaware of the magnitude of the debacle. His family has retained the legal assistance of Benjamin Crump to sue the rapper and LiveNation. One of the victims in critical condition is a 9-year-old boy who is currently in the hospital in a medically induced coma. The event left nine people dead and hundreds injured in a major trampling incident. Thank God for Alistair MacLeod, for he showed, so exultantly, in his impeccable creations what real dedication, wedded to hard-won craftmanshsip, respect for and knowledge of tradition, can do with words.Travis Scott has been hit with more than 60 lawsuits following the tragedy that took place at his music festival last Friday.
There is inspiration of the highest kind in his creations, but it is buttressed and made so much more effective by his search for form, order, cadence and diction. What Alistair MacLeod, in his shack by the shore on Cape Breton island, by his loving labours with pad and pencil over long summers there, wonderfully exemplifies is commitment, the application of study and sweat that is necessary in any real attempt to climb the pinnacle or to appropriate with justice the name of writer or artist.
These are not chance accomplishments, but a lifetime’s labour blessed with a foundation of genius.Īnyone can throw rocks at a keyboard. It is a making of something new, original, a bringing-into-the-world through the creative force of the artist an object or experience of awe and beauty - “such a form as Grecian goldsmiths make / of hammered gold and gold enamelling,” to quote Yeats again.įurther, their practice reminds readers of the near-incredible efforts necessary to achieve some dominion over their chosen medium, the skill of manipulating words and language, finding images, deploying rhythm and cadence. God bless MacLeod because he reminded the world that real art requires real skills, much labour, and, beyond those, a measure of true God-given inspiration.
A jelly bean on a floor can “start a dialogue,” but it is just a jelly bean. It is more than - to use a current depressing illustration from Saskatchewan - tying two bundles of newspapers together (recycled or otherwise), wrapping them in clear plastic, dropping them on a street and declaring the resulting banal, obvious and trite obstruction to be “art.” Nor need we be detained by the claim that such art mirages as these “start a dialogue” - the phrase inevitably worms its way into the clotted lingo of those vainly trying to justify obvious clutter as art. This advertisement has not loaded yet, but your article continues below.
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